Within the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is effortlessly upright, his limbs muscular beneath a simple white T-shirt. During performances, ballet dancers can appear as mighty gods, yet frequently offstage they are small. This is not true for Ball, whose tall stature is part of his demand for princely roles and pas de deux work. Possessing delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.
An Apparent Rise to the Pinnacle
Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Growing up in Liverpool, he encountered little teasing for his early passion in ballet. Joining the esteemed training institution at 11, he graduated straight into the troupe and was promoted each year, attaining the highest position of principal in 2018. He has loved tackling substantial characters, particularly the emotional turmoil found in a famed choreographer's works.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His next featured appearance is as himself, in an "Evening With" series aiming to offer intimate insights into a performer's craft. He will walk the audience through a part, showing his mental process while performance. Even in more comedic works, the test is significant. "A classic ballet is one of the toughest technically," he states.
The Psychological Struggle and Post-Performance Feelings
What about after a show, when he has succeeded? "It's pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. After an intense role I'm always like: God, what must people think?"
Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker once remarked on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."
Formative Motivations and Creative Influences
His determination originated in early setbacks. Not excelling in contests at school made him "driven!" This became fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.
The next endeavor is creating his own choreography. For Ball, "there's nothing wrong with." "Challenging the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from literature, music, and art.
Close-Up Dance and Private Partnership
He additionally favors presenting dance in smaller spaces. "It was just really thrilling," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"
Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t usually paired on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s favorite supporter."
On Social Media and Physical Image
On social media, fans can see videos from his dance films and photos that showcase a athletic physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on multiple levels.
Ball describes his early self as "desperate for success." Did it met his expectations? "I am conscious of how reality is a different thing to the dreams you had as a young person," he muses. He likely has about decade of dancing left. "I guess in the future, I want to be a bit more kind with myself."